Friday, June 10, 2016

Unplanned Characters We Love

The history of new characters is dark, sad one, and it is usually a sure sign a show is going downhill and it will be canceled, soon.

Roy's brief appearance before moving to his own crib
The Simpson's famously parodied this notion in their eighth season in the episode "Itchy & Scratchy & Poochie". In this episode, the animated show within the show, introduces a new character, "Poochie", who would be universally hated. Poochie's introduction would be parodied by "Roy", who joins the Simpson's family with nary an explanation. Both Poochie and Roy were soulless characters, designed by committee, who both departed after the one episode. Their only purpose was for the shows writers and creators to push back on Fox who thought they needed a new character.  Too often, as Lisa noted in the show, new characters are a desperate attempt to boost ratings, marking the end of a show. Her feelings undoubtedly mimicked the feelings of the Simpson's producers, and usually they are right.

Usually, but not always.

Below are a few examples where new characters have been added with great success. These are certainly not the only ones, but they do represent a small group of characters who added so much, it is hard to imagine the show without them, even though they were not part of the original plan.

Ben Linus (Michael Emerson)
"Lost"

"I always have a plan"
Ben, the manipulative mastermind himself, the only character on the show who really seemed to know what was going on was not an original cast member. He would go on to dominate the show; when it was over, "Rolling Stone" voted him the the greatest villain of all time. Even funnier than him being a late add was he was never intended to be an ongoing cast member. He was brought in for Season 2 for a three guest appearance stint; however, the producers were so impressed by his performance, he would be brought back in an expanded role as leader of the "Others".


Sal Goodman aka Jimmy McGill (Bob Odenkirk)
"Breaking Bad"
"A conscious gets expensive, hun?"

Yep, everyone's favorite shyster lawyer didn't join the show until mid-way through Season 2. Whether he was planned to be added to the cast or not doesn't matter; once he joined, he was as much a part of the show as Jesse and Walt. His knowledge of criminal behavior and the legal system, combined with his total lack of scruples, always made his appearances memorable, so much so, that he got his own spin-off show. Who else you gonna call?


Andy Dwyer
"Parks and Recreation"

Everyones favorite goofball and giant sized man-puppy was never meant to be a full time character. He was only planned to be a part of the 6-episode Season 1, as Anne's love interest who gets dumped. Amy Pholer and Co were so impressed with his comedic abilities, they quickly decided he needed to be kept on board. No way they were putting this puppy down.



Fraiser Crane (Kelsey Grammer)
"Cheers"

He's listening
Of course, the granddaddy of them all: the one, the only Dr. Frasier Crane. Cheers was already a successful show, #12 in the ratings when he was brought in for season 3 as Diane Chambers love interest. In season 4, he becomes a regular at the bar. Once it was closing time for good, he would move back to Seattle for his own show. In total, Kelsey Grammer would play the "flawed, silly, pompous, and full of himself" doctor for 20 years, the longest run of any character in all of TV history. Not bad for a late add.


Monday, May 23, 2016

Characters with only one line

Sometimes it only takes one line to be remembered.

I was watching the "Blues Brothers" for the umpteenth time, and I realized one of the main supporting characters only had one line, and it was a memorable line, too.  It doesn't take a lot of lines to have an impact. Think back to Mel Gibson as Max in "Mad Max 2" aka "The Road Warrior"; he only had 16 lines of dialogue and he is the star of the movie. Hell, the movie is named after him!

I started thinking about characters that only had one line, but they had an impact. I wanted to put together a list, but not of characters who were only brought in for one scene, like Rob Reiner's mom in "When Harry Met Sally" ("I'll have what she's having").  Instead, I tried to find characters who, by and large are supporting players, who appear all throughout the movie, but strangely, they only have one line of dialogue.  Here are my favorites (also, they are the only ones I could think of)


"Chicken Wire?"
 'Blue Lou' Marini -  "The Blues Brothers"

This was the one that started this whole list; I didn't realize it before, but this was his only line in the entire movie, and it's probably the most memorable one of all. In a movie packed with comic and musical talent, the mostly silent saxophone player delivers one of the funniest line for possibly the most memorable scene in the entire movie. It is one of those lines you can repeat, and anyone who has scene the movie knowns what film you are talking about.



"What the hell we 'spoused to do you moron?"
Stork - "Animal House"

Another great late 70s movie with a line everyone remembers. Stork, whom everyone thought was brain damaged, sits silently throughout the movie, until the moment he gets to deliver his one memorable line. Interestingly, the actor, Douglas Kenney, was one of the writers of the film. He would later be a writer for other comedy movies (like "Caddyshack") and tragedies ("Caddyshack 2"), before dying at the young age of 33. His one line lives on.



"Well, here's to us!"
Jaws - "Moonraker"

It's not as memorable as the other lines on this list, but I felt Richard Kiel aka Jaws from the James Bond series deserved a special place. This would be his only line in not one, but two, James Bond films. He is the only bad guy henchman to appear in multiple times (so far), remaining mute for 4 hours of film, until the very end when he finally gets his one line.


"Fuck it! I'm...I'm gay!"
Ed Vallencourt - "Almost Famous"

I have to admit, I didn't like this movie very much when I first saw it. Over time, thought my view has changed, doubtlessly influenced by others, like Bill Simmons, who thought it the best movie of the decade. I don't know if it is that good, but it certainly warrants consideration.   One thing I didn't notice for the first few times I saw it was the lack of dialogue for the drummer, Ed Vallencourt, who nary says a word until the dramatic scene in the airplane, where all the characters thinking they are facing death, finally vent all their baggage and feelings to and about each other. Anger, resentment, possible murder (by a really impressive performance by Jimmy Fallon) all come to the forefront after years of hiding their feeling. Then, when everything that needed to be said has been said, out of nowhere, the henceforth silent drummer finally speaks. I don't know what is more shocking to the band - the nature of the revelation or the fact that he can actually talk - but it was a brilliant moment of comedy in a scene that desperately needed levity to pull them out of a tailspin.

If you have other favorites, please be sure to share them below. Enjoy!

Wednesday, April 06, 2016

Random Movie Trivia

I love movies and I love trivia. Below is a partial list of random movie trivia I have accumulated from, well, I don't know where, but I could find at least one source for all of these. Some are funny, some are weird, most are stupid (hey, there is a reason its called trivia). In any event, I hope you all enjoy.

One of the more bizarre example of movies predicting the future was in the movie “2010”. A poster on the wall of Heywood Floyd son’s room is for the 2008 Beijing Olympics.

The movie was released 1984; it was not until 2001 that Beijing was even awarded the 2008 Olympic Games, a full 16 years after the movie’s release.


David Bowie is the only actor to turn down an offer to play a Bond Villain. The role he turned down: Max Zorin who would be played by Christopher Walken in “View to a Kill”.



In another case of movies predicting the future, in the original “Lethal Weapon”, after a phone call, Riggs (Mel Gibson) asks a visibly shaken Murtaugh (Danny Glover), "Did the stock market crash?”

Seven months after the films release, the infamous Black Monday crash of 1987 occurred.

In “The Fugitive”, Tommy Lee Jones improvised so many of his own lines, he was reportedly offered a writing credit for the film. 

He declined.


In the movie “Up”, purple was Ellie’s color, and it was closely associated with her throughout the film.  After she dies, the color purple is almost entirely removed from the film (look for it next time; its really weird).

The color purple starts being reintroduced as Carl starts his journey, appearing more and more the closer he gets to Paradise Falls.


Before filming “Coming to America”, the producers had been in contact with McDonalds to let them know about the “McDowell’s” they were using for the film. 

Word did not make it to the local level. Franchisers saw the “McDowell’s” sign and threatened to sue, thinking it was a real restaurant. 





“Invictus” has an inside joke about Francois Pienaar’s height (played by Matt Damon). Upon meeting him, one of the security guards says “I thought he would be taller.”  The real Pienaar is 6’4”. Damon is 5’ 10”. 


One of the worst Hollywood screw jobs in recent memory was Max Baer's portrayal in “Cinderella Man”.  Baer was portrayed as relishing the fact he had killed boxers in the ring, as a way to intimidate Jim Braddock before the fight.

In reality, Baer did kills two boxers. One died weeks after the fight; his autopsy revealed he had been suffering from meningitis (hardly Baer's fault). The other, Frankie Campbell, was accidental, and it haunted Baer the remainder of his life. Baer was at Campbell’s hospital bedside, and cried when he died. Baer personally donated and raised money for Campbell’s widow and helped pay for Campbell’s children’s college education.


Comedian Mel Brooks was the Executive Producer of “The Elephant Man”; however, you have to search hard to find his name.  It only appears once, in “A Brooks Production”, in the opening credits. Brooks was worried that his connection to the film would detract from the serious tone of the movie.




In the movie “Goodfellas”, Henry Hill is negotiating with US Attorney Edward McDonald, to enter the Witness Protection Program. McDonald had the famous "don't give me the babe in the woods routine."

The actor playing McDonald was in fact the real life McDonald in the the Henry Hill case.



In “Willy Wonka & the Chocolate Factory”, Charlie’s stunned reaction at being yelled at is real.

Peter Ostrum (Charlie), was not told what would be happening. Gene Wilder, who had become good friends with Peter during the filming, wanted to warn him, but the director forbade it.



Ewan McGregor, who played Obi-Wan Kenobi in Star Wars – Episodes 1-3 is the nephew of Dennis Lawson, who played Wedge in Star Wars – Episodes 4-6.

For the infamous chest-bursting scene in “Alien”, the other actors were not told exactly what was going to happen. The director did this to get honest reactions of terror. As John Hurt is convulsing, several of the crew can be seen looking off-screen to the director.


When the stomach did burst, Veronica Cartwright got the worst of the blood, with a stream blasting her in the face. When the scene aired for a test audience, patrons screamed, several people vomited, and one usher fainted. Ridley Scott knew he had a hit.



 
In Airplane, Steve McCroskey says he needs someone who won’t crack under pressure. If you notice Johnny’s response, the answer was dubbed. Originally the line was “How about Mamie Eisenhower?”

A few months after filming, the former First Lady passed away. Out of respect to the family, it was changed to “Mr. Rogers”.


The Steadicam was developed by Garret Brown, and it was used in a few feature films in 1976. What caused it to really generate  interest and adoption was its use in "Rocky" to film the famous scene where Stallone runs up the steps of the art museum. Previously, such a shot would not have been possible.




















Saturday, March 12, 2016

8 Reasons to Love "Octopussy"

It is one of the more derided and slammed movies in the Bond pantheon, but for some reason, I like "Octopussy". It is not my all time favorite, and yes, there are problems throughout, but when its on TV (as it is frequently), I will watch it, with rapt attention, as I am doing today.

I tried to figure out why - why does everyone hate this movie and why do I like it? It was a cold war movie, which (strangely) was a simpler time; you knew who the bad guys were and what were their motives. As I was watching it, I thought, rather than try to convince folks it is not a terrible movie, I thought I would share eight reasons that might help you like the movie a bit more. So in no particular order:

#1: It was the only Bond movie to have a rival (and it won!)
"Octopussy" was released in 1983, the same year that Sean Connery was working on a rival, non EON Bond movie, "Never Say Never Again". For those of you unfamiliar with how this came to be, I encourage watching the excellent documentary "Everything or Nothing", which explored this history of Bond and how this conflict, which almost destroyed the franchise, came to be. Even with the competition, "Octopussy" won the battle of the box office $187 million vs $160 for "Never Say Never Again".


#2: Can't get enough of Maud!
The stunning Swedish actress and model, Maud Adams, who plays the part of Octopussy, is the only female to have major parts in two Bond movies (okay, yes, besides Moneypenny....). Previously, she had appeared in "The Man with the Golden Gun". She also appeared in a third, with a non-credited part as an extra partygoer in "View to a Kill".


#3: Three actors with amazing lives
Three of the main actors, new to US audience, had some fairly amazing lives.

- Louis Jourdan (who played Kamal Khan): was an accomplished French actor of both stage and cinema. As a teenager in WW2, his father was arrested by the Gestapo, and he refused to appear in Nazi propaganda films, effectively ending his career and putting his family in danger. He became very involved in the French underground resistance for the duration of the war.

- Kabir Bedi (as Kamal's henchman Gobinda): is a Bollywood legend, having appeared in over 100 movies, along with roles in US television soap operas. He is still active as an actor today.

- Vijay Amritraj (as Vijay, local contact for Universal Exports in India): was a world class tennis player. For 14 straight years, he was the top rated tennis player in Asia, hence the many references and jokes to his tennis ability in the movie. This would be his first appearance in film or television.


#4 Last of the named sequels
Traditionally, at the end of the credits of Bond movies, the title of the next movie would be announced. This would be the last Bond movie in which this happen. Interestingly, the name actually changed. The credits reveal the title "From a View to a Kill"; "From" would be dropped when the movie was released.


#5: Q to the rescue!
This would be the first Bond movie where Q played an active part in the mission. Previously, he had been confined to the lab or in meeting rooms. In "Octopussy" he takes an active role, working in the field.


#6 Sixth Bond for Moore
This would be the sixth time Roger Moore appeared as Bond, tying Sean Connery for most portrayals.  Moore would do one more, and then graciously retire from the role at age 57. Interestingly, when Moore started playing Bond at age 45; when Connery retired after "Diamonds are Forever", he was 41.


#7 007 loves boats
This would be the 007th time that 007 ends the movie on a boat. The others include "Dr. No", "From Russia With Love", "Diamonds Are Forever", "The Man with the Golden Gun", "The Spy Who Loved Me", and "For Your Eyes Only".


#8 It left its mark in India
The movie was originally written to take place in South-East Asia; however, when the location scouts visited the Indian city of Udaipur, they were stunned by the beauty of the palaces, so the location was changed. The Lake Palace hotel, used prominently in the film is now unofficially known as "The Octopussy Hotel"



Monday, February 08, 2016

For the first time, I like Cam Newton

It's a funny twist of fate.

Last week, before the Super Bowl, I was going to write a post about why I didn't like Cam Newton. My reasons, however had absolutely nothing to do with what he did on the field. My complaints with him had to do with his posturing off the field. I thought he was a phony and a fake, and everything that came out of his mouth was scripted, rehearsed and disingenuous.

That was the post I was going to write.

I thought about it last week, when I was traveling. I planned to write it when I got home, but I ended up getting a nasty cold the day I was heading back and I have been laid up for the past few days, so gunky and clouded I haven't replied to emails, much less could I have put any meaningful thought behind writing a decent post. I finally started feeling better last night just in time for the Super Bowl.  As a Panther fan, watching it made me feel worse.

I saw Cam Newton's Press Conference. You know, the one they keep talking about that he walked out of - that one. The one where he is surrounded by cameras and reporters asking him all these inane questions, while happy Bronco players are being interviewed within earshot. After a few minutes or repeating the same answers, he gets up and leaves.

Suddenly, I like him. For the first time, I like him.

I never wanted the Panthers to draft him, but it had nothing to do with his abilities. I didn't want to see him get beat up and killed on a bad team. Carolina had a horrid offensive line when they drafted him; they were second worse in the league at protecting the quarterback.  I have (only half) jokingly suggested that the league should not let teams use a first round pick on a QB, unless their offensive line could protect them. I proposed that unless the team allowed 2.5 sacks per game, or less, they should not be allowed to draft a QB. Instead, they needed to shore up the offensive line. I was tired of seeing so many talented QBs come into the league, only to get drafted by bad teams, and get the living hell beat out of them. It was unfair to them, it was unfair to the league. I thought by having an absolute number of sacks they had to be below, it would easier for teams; they either made the mark or they didn't. If they didn't, fix your offensive line.

Unfortunately, a rule like that didn't exist, and Cam Newton went to the Panthers.

When he started I was worried. He was flashy and he ran a lot. I was worried about his health. He got sacked. A lot. I wasn't sure if he would make it three years in the league. Things looked bad for the team and the coach. Then the Panthers cut long time fan favorite, Steve Smith, who - if you believe the rumors - was forced out by Cam because he was more popular. Things looked dire, then strangely, the team started coming around. The defense, led by Luke Kuelcly, Thomas Davis and Josh Norman became a force. Even when star receiver Kelvin Benjamin went down, and the future seemed bleak, the team started winning, and it was all because of Cam Newtons enthusiasm and heroics.

Still, I didn't like Cam.

Yes, he was flashy on the field. He did some showboating, that some would consider taunting. Yes, it wasn't anything I would do, but that didn't bother me. Some of the things he did on the field I actually liked. The ball giveaway to the kids was a nice touch. He made this one fan at a playoff game more happy than I think I could ever make another person ever. These were all the positive things he brought to the team.  He made all the fans believe in him and that we could win.

What I didn't like was Cam off the field. I thought he sounded so fake and conceded. There was nothing genuine in what he said or how he looked. To me it was a facade of deceit, one I could not stand to watch. It was the reason I hated him so much. A lot of athletes do this, and in the world of Sports Marketing now, it is required. Cam, I felt, took it to such an extreme, and such a disingenuous level, I didn't like him, even though he was the star player on my team.  Last night, I expected his press conference to be full of the fake smile, the charm and flash, and excuses as to why they didn't win.

That was not what he did and I for one am very glad.

He was dejected. His whole body language showed it. He looked like a guy who had been beaten, and he didn't know what he could have done differently. At his press conference, if you could hear above the cheers of the victorious Broncos, that is what you heard in his answers. "They just played better than us", a honest answer from a guy who I felt always gave us spin. "We had opportunities...we dropped balls, we turned the ball over, gave up sacks, threw errant passes. That's it." They were honest words and from a guy who was beat up and tired.

Call me crazy, but I think this was an important lesson for the kids. No matter how good you are, no matter how talented you are, no matter how much everyone loves you - you can still lose. Those losses are going to hurt, and it they will get you down. Does that make you a bad person for being down? No. Everyone has down moments. It doesn't diminish what he has accomplished and how he lifted the team up all season long. It shows he is human and he cares.

I read a book not too long ago that talked about negative thoughts. It attacked the belief that having negative thoughts are wrong. They are just thoughts - we all have them, both good and bad. Too many books give the advice that only bad people have negative thoughts, or that negative thoughts are bad. It is not true. They are thoughts, and we all have them. The worst message you can send to a kid is that having negative thoughts makes you a bad person, but in my opinion, far too often, this is what they are told. Cam Newton had a really bad day yesterday, and he had a lot of negative thoughts broadcast for the whole world to see. Last night, for once his feelings were not edited out, and the world got to see that he was the same as any other person out there, with the same doubts, feelings and self-criticisms we all have.

And for once, I finally liked him.

Monday, January 25, 2016

Rewriting the Rules of the American Economy: my review

I read this book because I think there are problems with the US economy which need to be addressed. Specifically, I think the divide between middle class and CEO pay, the ratio of which has expanded exponentially over the years. I feel that the work of middle class needs to be valued and their pay needs to be raised, though as shown throughout history, taxation of the rich does not make the poor more wealthy. I read this book with the hopes on some fresh ideas on how to rebalance the earnings of all Americans. 

This however was not the case.

My enthusiasm for the book started declining early with some of the authors claims. Specifically, he made the comparison that the switching costs for the digital economy and the manufacturing sector were similar. Having marketed and sold products to industrial customers for over a decade, I found this assertion ludicrous. There was a reference to this claim; however, it was from a paper titled “Information Rules” written in 1999, about the same time Myspace was dominating the social platforms.

This cased me to question the sincerity and accuracy of the book, and to examine more of the authors claims and (even the ones with which I agreed) more closely.

What I found was the book would identify legitimate problems, but the solutions were either incomplete, inaccurate or incomprehensible. I was disappointed, too, as there were several problems he identified in which I completely agree (such as corporate short term thinking and problems with the US tax code).

Overall I found the book disappointing at best.


Incomplete claims:

The book begins with a lot of claims, many of which will cause anger and indignation. I felt that way, too, when I read passages; however, I noticed the indignation would cause me not too look critically at the text, or the substance behind these claims at first. But on further examination, there were mistakes. Some examples I noted are below.

He sites several examples to highlight the struggles of the working class. On page 37, he notes that globalization has caused the a “tilt [in] the balance against workers.” The author has looked at this problem totally in terms of top line wages. Missing from this analysis is the reduced costs of goods and increases to disposable income. This may, or may not offset the lack of wage growth, but it is certainly a benefit to be considered which is ignored throughout the book.

I agreed with his assessment of Intellectual Property rules: they do not work or serve their purposes as well as it should. Some of his claims, however, make me not want to agree with his overall assessment. On page 104 he writes:“Rather, the real intent of these provisions [Intellectual Property] is to impede health, environmental, consumer safety and even financial regulations meant to protect the public interest…”. No footnote is given nor are there any cases provided to support such a claim. To make such a damning statement with no evidence to support it makes me question its validity and his intentions.


Inaccurate solutions:
The author writes about the importance of growth, but his only answers are to unionize  workers and increase taxes.

His section on Capital Gains taxes I found interesting and illuminating, but at the end of the day, his only rule was to increase them. Taxes do not produce growth. This would be his pat answer to every problem. This and unionization.

He bemoans the lack of unionized employees, and he waxes nostalgically over the glory days in the 1950s and 60s. Only mentioned once, in passing, is the racist and sexist history of these organizations during the same time frame, as they reserved jobs for only white men. Despite their history of discrimination, he believes they will be the cure to all our ills (though no evidence is provided they will). Ironically, he notes the unprecedented growth in US productivity between 1990-2011 (page 91), a period that corresponds to the rapid decline of union membership (page 71). The positive impacts of the decline of unions is ignored through the book. One particularly poignant example was with the teachers union in New Orleans, which were all fired post Katrina. The results and improvements since then have been impressive.

http://www.economist.com/news/united-states/21636077-revolution-and-innovation-some-americas-toughest-neighbourhoods-big-not-easy

Even when there were parts I agreed with, such as his assessment on banks Too Big to Fail, his solutions were often off and would result in greater problems. Dodd-Frank he felt was the right direction, but as any observer to the finance industry is well aware, there are many conflicting parts of Dodd-Frank, making it impossible for any institution to be in compliance with all parts (see article below).  He proposed adding a “risk surcharge” to financial institutions, but based on the challenges just to get banks operations in order, how and who could reasonably be expected to monitor and assess the proper surcharges?
http://www.economist.com/node/21547784



Incomprehensible:
“Congress should pass a financial transaction tax designed to encourage productive investment”, page 123. No further explanation is given. I am still trying to figure out how a tax, which prevents or delays a transaction, could be used to encourage investment.

Executive compensation: yes, I agree it is too high, and can promote short term thinking. He writes, “And there needs to be better, more transparent reporting of the full value of the the executive compensation for each corporation”. It is already part of the SEC filings. It is required for publicly listed companies in their 10-K.

He argues for the need of a “Fair Tax” [his quotes]. He writes on page 127, “those at the top pay less than ordinary Americans”. No data is provided for this claim and for a very good reason: It is not true. Outside of the top 0.1%, which pay less than the top 1% but more than all other Americans,that is not the case at all.
http://www.fool.com/investing/general/2015/01/31/the-average-american-pays-this-much-in-income-taxe.aspx

In all the all the talk of tax reform, no discussion given on consumption taxes which are shown to place higher burdens on higher incomes and do not have loophole provisions. As shown in Europe, a higher VAT has the effect of being less burdensome on the poor, and more difficult to avoid for the rich. This however, was not part of the discussion.

Page 165 he finally mentions Social Security, however, only to express his view it needs to be expanded. No mention was given to how, when it was created the average lifespan was only 62, with benefits coming at age 65. He discussed the financial shortfalls brewing for the program; all though it was not mentioned, I am assuming his reasoning for the shortfall would be that workers are no longer unionized, not that people are living longer.


Naiveté: 

There were parts of the book which really made me question his qualifications. Some items of note include:

He proposes a Global Corporate Tax on all US companies overseas operations, or 10-15%. As we have already seen with Medtronic and others, raising the US tax rate will encourage more companies to leave, shrinking the tax base, and the higher taxes will cause new companies to incorporate somewhere else, outside the realm of the US taxman. His proposal will tax innovation out of the country.

Infrastructure investment leads to innovation (page 137). Infrastructure is critical for growth and a functioning economy, and its absence can seriously undermine activity. The US infrastructure is in bad shape and needs improvement, though we have had our economic boom due to infrastructure. Investing in new sewer lines does not spur technical innovations.

On page 65, the author sarcastically refers to the “monetary policy set by the nation’s ‘independent’ [author’s quotes] central bank”. Such juvenile insults, with no supporting claims, and no point, other than to smear congressmen he believes are beholden to the banks have no place in a book with supposedly noble goals.

On page 70 he claims “the right to freely associate and bargain collectively is universally recognized as a basic human right”. As a current case before the Supreme Court might decide, individuals have the right to say who can, and can not, speak or negotiate on their behalf. 
http://www.economist.com/news/united-states/21688405-justices-are-poised-deliver-blow-public-sector-unions-labour-pains

On page 145 he claims“We must dismantle legal structures that explicitly prevent people of color from equally competing in the workforce”. No example or footnote is given. To impugn the US justice system, one would hope they would have evidence.

On page 77, in his defense of labor, he claims that changes to the labor standards have resulted in workers being “excluded from coverage under worker’s compensation laws, Social Security, Occupational Safety and Health Administration regulations, and the National Labor Relations Act”. Unlike other areas, he does provide a footnote; however, it was for an entire book, David Weil’s “The Fissured Workplace” a 424 page work. While the claims may be true, I feel it is unprofessional and sloppy writing to cite an entire book, and not specific portions that substantiate his claims.


Conclusion

I had higher hopes for this book, and that it would take a fresh look at the very real problems facing the US economy. While at time the author identify problems, the evidence to support I found lacking or incomplete. Instead of dynamic new ideas, the author waxes nostalgically about labor unions and high taxes. In my opinion, those are naive panaceas for the problems facing our economy today.

Friday, January 22, 2016

Overacting Performance That We Love

Like most fans of the cinema, I am still saddened by the recent, unexpected loss of Alan Rickman. That deep, booming voice we are all first introduced to as Hans Gruber in "Die Hard", where Rickman made his Hollywood debut (at the spry age of 42). Younger generations known him best for his role as Severus Snape in the "Harry Potter" series. Looking back over his career, and all his memorable roles, there is one that stands out apart from the rest: The Sheriff of Nottingham in "Robin Hood: Prince of Thieves".

It stands out not because it was particularly good. It wasn't. Far from it in some points. Kevin Costner's attempt at an English(?) accent nearly ruined the entire movie. No, what saved it was Alan Rickman and his over the top performance. When casting the role, he is rumored to have turned it down, twice, until he was given free reign to interpret the role as he wanted. He did so, and then some. His performance set the standard for over the top acting, munching through scenery and upstaging every co-star.

But it worked. It really worked. It got us thinking, what are the other great overacting performances, that we should ridicule, but that actually work.

Rickman as the Sheriff of Nottingham is tops on my list. Also, another performance by Rickman was his role as the perpetually stressed out Alexander Dane (aka Dr. Lazarus) in the totally underrated "Galaxy Quest".  The movie, a parody of TV Science Fiction series, stars Rickman as the Shakespearian trained actor who tries (and has failed) to avoid being typecast, reflecting the struggles Leonard Nimoy faced with his role as Spock in "Star Trek".  Rather then play the part as the subdued, defeated, Brit trying to keep the stiff upper lip, Rickman took every opportunity to bemoan his fate, and his wasted gifts, to anyone who would listen. It is an underrated movie and an overacting performance for the ages.

One of my favorite sites is Last Exit to Nowhere, who sell t-shirts, posters and other memorabilia inspired by movies. Their Facebook page is one I frequent often for the very lively discussion on our favorite films. This next great overacting performance is one I must credit back to their observations: Nicol Williams as Merlin in 1981's "Excalibur". To paraphrase LEtN's assessment, basically the only scenes worth watching in the movie are the ones that involve Williams. His overacting made the movie; when he wasn't on screen, you wish he was. Truly a scene stealer for the ages and another actor who passed away far too soon.

Following in the proud tradition of Brits who overact with aplomb, is the great Terence Stamp in his role as General Zod in "Superman II". His smooth booming voice, echoed through cinema's as he demanded that we all "Kneel before ZOD!"  His entire egomaniacal performance distinctive delivery should have caused us all to laugh. Laugh and laugh hard. But we didn't. We were terrified!  Well done Mr. Stamp, well done.


Rounding out our list of some of our favorite overacting jobs, is a less known one, from the 1986 remake of "The Fly", John Getz. He's not a household name, but in this movie, made of largely unknowns (at the time) he made his mark. Jeff Goldblum and Geena Davis' were still largely unknown, though both had significant roles in the hits "The Big Chill" and "Tootsie", but it was the totally obnoxious, jaded former lover, that Getz as magazine publisher Statis Borans that stole the show. He could have downplayed his role, to make himself more sympathetic. But no, he didn't. He took every opportunity he could to overact and be as obnoxious as possible. I, for one, am glad that he did.


This is hardly and exhaustive list, but just some of our favorites. If you have any favorites, please feel free to share.

Cheers!



Monday, January 18, 2016

I could be the only person who doesn't think Leonardo DiCaprio "deserves" an Academy Award

I do not think Leonardo DiCaprio deserves and Academy Award.

This should be obvious by now, as it is the title of this post. I have trouble with the claims it is his time for two reasons.

First, nobody deserves anything. You earn it. A lot of great actors have not won Oscars, and for some, it didn't happen until later in life, with the (dreaded) make up win. E.G. the Academy realized they probably should have won a long time ago, and they wanted to award them before they passed away. The most notorious examples on this list include Don Ameche, Paul Newman, and Dame Judi Dench who won an Oscar for her six minutes of screen time.  These are all outstanding actors, though none of them won for their more significant roles.  Life is unfair. They similarly "deserved" an Oscar for previous parts, but they had to settle for the makeup win later in their lives.

The other reason is I don't think Leo has been particularly Oscar worthy in most of his nominated roles.  In my opinion, his best role was the first one he received a nomination, for his supporting role in "What's Eating Gilbert Grape", when he was 19 years old. He would lose to Tommy Lee Jones for his role in the "Fugitive". Also nominated that year included Ralph Fiennes for "Schindler's List"; not the easiest year to win.

Since then, he has received four Best Actor nods, and he has been one of the most bankable starts in the business. His losses, though, were not undeserved.

In 2005 his role as Howard Hughes in "The Aviator" lost to the portrayal of another real life character, Jamie Foxx in "Ray".

In 2007 his part in "Blood Diamond" lost to Forest Whitaker's mesmerizing performance in "The Last King of Scotland".

in 2014 his role in the overly-long "The Wolf of Wall Street" lost to Matthew McConaughey's body transforming, AIDS awareness role in "Dallas Buyers Club".

He was worthy of being nominated in all of these movies; I don't think he was better than the winner of any of them. He has had several great parts that did not receive a nomination, most notable to me include his parts in "Gangs of New York" and "The Departed", but in both of those years, there were great performances by other actors. In 2006, Leo didn't get nominated for "The Departed" but even Heath Ledger went home empty handed after his role in "Brokeback Mountain".

I haven't "The Reverent" yet, and of the parts nominated for Best Actor (male), the only one I have seen so far is Matt Damon for "The Martian". I will try to see them all (although I loath the idea of sitting through a movie about Steve Jobs....and yes, I am typing this from my Apple computer). I am sure it is a part worthy of a nomination, and if I was to ever make a movie, I would jump at the chance to have him in it.  But to win the golden statue, you have to earn it, not deserve it.